A self-taught artist, she has worked in fashion retail, the Canadian TV and film industry, and creative communications for Canadian and UK-based start-ups in the legal cannabis sector.

Specialising in collage on paper, a satirical Dadaist influence is evidenced throughout her work. Róisín sources physical imagery to visually narrate stories through a queer intersectional feminist lens.

​

Applied patience is integral to her practice. Time spent out in the physical world searching for imagery or engaging with people in shops or on the street is used to consider potential applications for symbolism, theory, and philosophy in her work. 

​

Her criticism of inequality, wealth disparity, the lack of intersectional representation in prolific spaces, conservative politics, and the influence of colonialism, Catholicism, and capitalism in modern Ireland, are thematically present in her collages.

​

Nolan has recently relocated to London, UK, and is working as a content and community manager in the legal cannabis sector. Over the past few months, she has been focused on designing album artwork across a range of genres, alongside design work for theatre, film and most importantly, for fun.